October 13, 2013

Stills from Films. A possible light diagram of a scene from Snow White and The Huntsman

Cinematography: Greig Fraser
Camera: Arriflex 235, Arriflex 435 Advanced and ES, Panavision 65 HR and Milennium XL2, Red Epic
Lens: Panavision Primo, E and G Series, ATZ, System 65
Aspect ratio: 2.35:1
Format: 35mm, 65mm, Redcode RAW
Film Stock: Kodak Vision 5201 50D, 5207 250D, 5230 500T

Greig Fraser did a great job with the cinematography of Snow White and the Huntsman, a film that neither critics nor audience liked very much, combining 35mm and 65mm, along with some shots with the Epic. This is one of the very few scenes exclusively lit by natural light and it is a beautiful example of back lighting. This shot would not have been the same if Panavision E Series anamorphic lenses hadn't been used with the lovely and gorgeous typical flares they produce.

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