Portrait of another woman I loved in black and white film

She is Liber, posing for my Hasselblad for the series Catastrophe and the Cure. Tmaxx100 and Distagon 50

Black and white portrait of Tamara

Another portrait of one of my favourites models, Tamara, taken on Kodak Tmaxx 400 and Hasselblad for the series Catastrophe and the Cure

Portrait of an Angel in black and white

There are models, there are super-models and then there are Angels. Gemma is one of the them. This artistic nude portrait belongs to the Catastrophe and the Cure series taken with my Hassy on Kodak film

Backlighted portrait of a nude

Playing with the light and the window for this artistic nude portrait of the series Catastrophe and the Cure - portraits of the Women I loved, taken on Kodak Tmaxx 400 and Hasselblad 500c/m

Artistic nude photography in black and white of Sara

The camera like a Peepin' Tom for the artistic nude series The Jefferies' Stories, a series I am working on. Beautiful Sara is "spied" by my Hasselblad 500cm on Tmaxx400.

Artistic nude portrait of Noelí in black and white

This portrait of Noelí was taken on Tmaxx 400 using a Distagon 50 on a Hasselblad 500cm. It belongs to the series I Love You but I've Chosen Darkness.

A different portrait of a tattooed naked girl

Catastrophe and the Cure series. Portrait of Anna and her sensual hands taken on Tmax 400

Black and white portrait of a nude tattooed girl

A pic from the series I Love You but I've Chosen Darkness taken on Kodak film and my Haseelblad on slow shutter speed.

Artistic nude, a black and white film photography

Portrait of Liber, posing nude for the series Catastrophe and the Cure, taken on Tmaxx 100 and Zeiss Planar 80 using a Hasselblad 500CM

Artistic nude portrait of woman

Catastrophe and the Cure series, portraits of the women I loved. This artistic nude photography of Tamara, one of my favourite models, was taken once again on Kodak Tmaxx 400 and Zeiss Distagon 50 on a medium format camera

Catastrophe and the Cure. Portrait of Women in black and white

The very first pic of the session I made with Gemma, a model I loved to work with. Taken on Tmaxx 400 and Zeiss Planar 80 with the only use of natural light, while the negative was underdeveloped.

Aristic nude portrait in black and white

A picture taken with Hasselblad 500 c/m on Kodak Tmaxx 400 using Zeiss Planar lens; contrast was given in developing. This photograph belongs to the series "I Love You but I've Chosen Darkness"

I Love You but I've Chosen Darkness

Black and white artistic nude photography of the series "I Love You but I've Chosen Darkness" taken on Kodak Tmax 400

The Jefferies' Stories. An artistic nude photographic project

One of the first pic I took of this project. Noeli was portrayed with my Hasselblad using Kodak film Tmaxx 400 and Zeiss Planar 80 lens. I love the delicacy of this model.

Catastrophe and the Cure. Portraits of artistic nude in black and white

Another pic of the series "Catastrophe and the Cure" - Portraits of Women I loved.
This portrait of Anna was taken on Tmaxx 400 and Zeiss Planar 80.

I love You but I've chosen Darkness

I pushed the film, in this case Tmaxx 400, in order to achieve the heavy contrast I was after and used a very slow shutter speed to create, along with the side light, a sense of anguish.

Catastrophe and the Cure. Portrait of the women I loved

One more shot of the series Catastrophe and the Cure. This portrait of Liber was taken this time on Tmaxx 100 and then overdeveloped as it were a 400

Catastrophe and the Cure. Portraits of the Women I loved

Another picture from the series Catastrophe and the Cure. Model Tamara was photographed with my Hassy 500c/m and Planar 80 on Tmaxx 400. Home developed as usual.

Catastrophe and the Cure. Nude portraits of women

Another shot from the Catastrophe and the Cure series. As usual, taken on Tmaxx 400 and home developed and printed.

The lamp. Artistic nude photography

The lamp, an artistic nude photography taken on Tmax 400 and Hasselblad 500 c/m. Model is Sara M.

The Jefferies' Stories series. Artistic nude on Kodak Tmaxx

Another pic for my project The Jefferies' Stories, an artistic nude series taken on Tmaxx 400 and Hasselblad 500cm

Catastrophe and the Cure series. A black and white artistic nude of Anna.

Catastrophe and the Cure. Shadows and Light. Artistic nude taken, as usual, with my Hassy on Tmaxx 400. Special thanks to the model Anna for this session, a great person to work with.

Catastrophe and the cure. A nude portrait in black and white

Catastrophe and the cure, a series dedicated to women taken on Tmaxx 400 with my Hassy.

Le Printemps. An artistic nude portrait of "La Primavera"

Artistic nude black and white portrait of The Spring taken as usual on Kodak Tmaxx 400 and Hasselblad 500cm. the contrast was increased with development.

The Jefferies' Stories. Artistic nude portrait

Artistic nude portrait taken on Tmaxx 400 with 500cm and Zeiss Planar 80 for the series The Jefferies' Stories

Catastrophe and the Cure.Portrait of the Woman in black and white

Artistic nude photography taken on Tmaxx 400 and over developed.  Hasselblad 500cm and Zeiss 80 Planar were used.

Catastrophe and the Cure. Portrait of the woman on black and white film

Tmaxx 400 with 500cm and Planar 80

Monika. A portrait in black and white film.

Two point lights were used for this portrait of Monika taken on a Kodak Tmaxx 400 and Zeiss Planar 80. The contrast was increased during development.

I Love You but I've Chosen Darkness

Taken on Tmaxx 400 and Zeiss Planar 80 on 500cm

The Jefferies' Stories. A black and white photography project on film

One more pic from my current project, The Jefferies' Stories.

L. B. Jefferies is the main character of Alfred Hitchcock´s film The Rear Window, a photographer who spies his neighbors with binoculars.

With this series I imagine what he would  photograph if he could access to the most intimate rooms of today's people.

Portrait of Sara, black and white nude photography

3 points of light were used for this portrait taken on Tmaxx 400 and Zeiss planar 80 with mu Hassy. 

The Jefferies' Stories

L. B. Jefferies is the main character of Alfred Hitchcock´s film The Rear Window, a photographer who spies his neighbours with binoculars.

With this series I imagine what he would  photograph if he could access to the most intimate rooms of today's people.

L. B. Jefferies is the main character of Alfred Hitchcock´s film The Rear Window, a photographer who spies his neighbours with binoculars.

With this series I imagine what he would  photograph if he could access to the most intimate rooms of today's people.

- See more at: http://donatelloromanazzi.blogspot.com.es/2013/12/the-jefferies-stories-new-project.html#sthash.2UqYmZTR.dpuf

L. B. Jefferies is the main character of Alfred Hitchcock´s film The Rear Window, a photographer who spies his neighbours with binoculars.

With this series I imagine what he would  photograph if he could access to the most intimate rooms of today's people.

- See more at: http://donatelloromanazzi.blogspot.com.es/2013/12/the-jefferies-stories-new-project.html#sthash.2UqYmZTR.dpuf

L. B. Jefferies is the main character of Alfred Hitchcock´s film The Rear Window, a photographer who spies his neighbours with binoculars.

With this series I imagine what he would  photograph if he could access to the most intimate rooms of today's people.

- See more at: http://donatelloromanazzi.blogspot.com.es/#sthash.QSOjZ8tU.dpuf

L. B. Jefferies is the main character of Alfred Hitchcock´s film The Rear Window, a photographer who spies his neighbours with binoculars.

With this series I imagine what he would  photograph if he could access to the most intimate rooms of today's people.

- See more at: http://donatelloromanazzi.blogspot.com.es/#sthash.QSOjZ8tU.dpuf

Back light Nude

Taking advantage if the back light to make this shot on Kodak Tmaxx 400 and Zeiss Planar 80 with 500CM

Bath of light. A portrait in black and white.

A portrait of Noelí bathed in a one point light imitating the north light. Taken on Tmaxx 400 with Hassy.